The Making of Samuel Beckett’s Not I / Pas moi, That Time / Cette fois and  Footfalls / Pas (University Press Antwerp and Bloomsbury, 2021).

Samuel Beckett in Confinement: The Politics of Closed Space (Bloomsbury Academic, 2020).

Ireland: Interfaces and Dialogues, ed. Ondřej Pilný, Radvan Markus, Daniela Theinová and James Little, Irish Studies in Europe series no. 11, Wissenschaftlicher Verlag Trier (2022).

‘Draff / Résidu’, special issue of Samuel Beckett Today/Aujourd’hui, 31.1 (2019), ed. James Little, Georgina Nugent-Folan, Emilie Morin and Mark Nixon.

‘Coercive Confinement and Irish Languages: Ó Cadhain, Behan, Heaney, Okorie’, Review of Irish Studies in Europe, 5.2 (2022) (with Radvan Markus).

‘Confinement and the Transnational in Emma Donoghue’s Room’, Open Library of Humanities, 8.2 (2022).

‘“Comparative Liberty”: John Mitchel’s Jail Journal and Austin Reed’s The Life and the Adventures of a Haunted Convict’, Irish University Review, 52.1 (2022), 121–32.

‘Samuel Beckett’s Remembrance of Texts Past: Shakespeare, Proust and Joyce in Not I and That Time’, Litteraria Pragensia, 31.62 (2021), 78–104.

‘Staging Beckettian Minds: Umwelt and Cartesian Stage Space in Beckett’s Plays’, Contemporary Theatre Review, 31.4 (2021), 438–54 (with Olga Beloborodova).

‘Decomposing the Asylum in Samuel Beckett’s Malone Dies: Genetic Criticism and the Author’, Acta Universitatis Lodziensis. Folia Litteraria Polonica, 1.60 (2021), 65–77.

‘“Not There”: “Dark Matter” in Samuel Beckett’s Footfalls’, International Journal of Performance Arts and Digital Media, 17.3 (2021), 373–86.

‘Reframing the Politics of Performance at 14 Henrietta Street: ANU’s Living the Lockout and Company SJ’s Fizzles’, Text and Performance Quarterly, 40.4 (2020), 343–63.

‘Quare Memory in Brendan Behan’s Borstal Boy’, Irish University Review, 50.2 (2020), 289–303.

‘Inhuman Habitations: Samuel Beckett’s Imagination Dead Imagine and All Strange Away’, Samuel Beckett Today/Aujourd’hui, 32.2 (2020), 239–54.

‘Introduction’ to ‘Draff / Résidu’, Samuel Beckett Today/Aujourd’hui, 31.1 (2019) (with Georgina Nugent-Folan), 1–6.

‘Beckett’s “Mongrel Mime”: Politics and Poetics’, Journal of Beckett Studies, 27.2 (2018), 193–210.

‘Home, the Asylum, and the Workhouse in The Shadow of the Glen’, Irish University Review,46.2 (2016), 260–74.

‘Between a Protest and Catastrophe’, Litteraria Pragensia, 25.50 (2015), 92–106.

'Introduction', in Ireland: Interfaces and Dialogues, ed. Ondřej Pilný, Radvan Markus, Daniela Theinová and James Little, Irish Studies in Europe series no. 11, (Wissenschaftlicher Verlag Trier, 2022).

‘Waiting for Godot’, in Fifty Key Irish Plays, ed. Shaun Richards (Routledge, 2022), 78–81.

‘“First the Place, Then I’ll Find Me in It”: The Unnamable’s Pronouns and the Politics of Confinement’, in Beckett and Politics, ed. William Davies and Helen Bailey (Palgrave Macmillan, 2020), 69–85.

Review of The Making of volumes for L’Innommable / The Unnamable, Molloy, Malone meurt / Malone Dies, En attendant Godot / Waiting for Godot, Fin de partie / Endgame, Journal of Beckett Studies, 29.1 (2020), 125–35.

Review of Samuel Beckett and the Politics of Aftermath and Samuel Beckett and the Language of Subjectivity, Irish University Review, 50.1 (2020), 240–3.

Review of Navigating Ireland’s Theatre Archive, Australasian Journal of Irish Studies, 20 (2020).

‘Review of the Inaugural Conference of the Samuel Beckett Society, Phoenix, AZ, 19–20 February 2015’, in The Beckett Circle, online (2015).

‘Reframing Scenography: Performing Space Symposium Report’, Blue Pages: Journal for the Society of British Theatre Designers, 4 (2014) (with Wei Feng), 24–6.